I usually find it quite hard to begin with a cohesive visual identity for a project and not feel tied to a brand or identity that might no longer suit the project. Previous thoughts on title pages or brand are in this post.
More iterations on an identity for the book, thinking about a symbol that might work and a font selection that could be cohesive across the entire book.
Experimenting with hexagons and suggestions of the infinite through repetition.
I think this is my current favourite: suggestive hexagons with Didot font.
Thinking about how it might look in color, and in a more Faber & Faber style:
(too James Bond?)
Thoughts? Which is the strongest? What is working and failing miserably?
An animated attempt at a mockup using storyboard from Illustrator. Its so hacky you have to click on it to see it.
Record keeping, but also for interest:
Brief for Major Project
Draft experiments, working with the text of Elegy (Borges, J.L. 1964, translated by D.A.Y.)
(all images by me)
Not sure if this is heading in a final direction //
or if its just a dry run for The Book Thief (Zusak).
I like the incredible concepts in Labyrinths by Borges, and the turn of phrase is interesting, but not as lyrically compelling as The Book Thief. In some ways, this almost means there’s more reason to express it visually; to intrigue people to read it; to promote an author who is slightly less accessible.
On the other hand, is it worth it? And are the concepts along the line with my thoughts on reading and the richness and power of stories? I need to search for some excerpts/the vibe of the Book Thief. Then we’ll know a bit more about where things are heading.
Had a look at ‘the Brief’ requirements for next week. Have some bare bones thoughts, but they seem surprisingly inadequate and empty compared to how I’ve been describing it to people. Need to mine this blog, my smaller ‘thoughts’ notebook, and possibly record some conversations where I explain the project.